Toolbar and menus

The bar, the canvas and the menus of Open Negative Initiative. Every key of the bar and of the margin round your photo, and every menu item with its shortcut.

The editor at 100%: the bar with GALLERY, the photo's keys, Undo and Redo, the Pro and Scanner switch, the paste keys, RESET SCAN, FEEDBACKS and EXPORT, and the canvas margin reading 100% over a close view of the lift's glass door and its call button.

The bar

The bar carries only gestures a menu already reaches, in three zones. The editor's keys are there while a photo is open; the gallery, and Prepare the Roll, put their own in their place.

  • EDITOR

    Where you are going. EDITOR in the gallery, GALLERY beside a photo, ⌘G either way.

  • Two faces for one photo. Pro's sliders, or a lab scanner's keypad, beside Undo and Redo.

  • RESET SCAN

    Back to the import. RESET SCAN keeps your crop and your conversion; ⇧⌘R does the same.

EDITOR and GALLERY

EDITOR in the gallery, GALLERY beside a photo: the key names where it goes, ⌘G either way. It stays greyed in the gallery until there is a photo to open.

  • In Prepare the Roll it reads GALLERY and leaves the roll, except while the roll is being measured.
  • Space also returns from the editor to the gallery, outside De-dust.

The centre keys

Beside a photo, each family on its own plate: Crop and Straighten, Compare and Select the Whole Roll; Undo and Redo; the Pro and Scanner switch; Copy settings, Paste settings and PASTE TO ROLL; the De-dust key; and RESET SCAN.

  • In the gallery the label filter, PREPARE ROLL and Move to ONI Trash take the editor's keys' place; while a roll is prepared, its five steps do.
  • RESET SCAN takes your photo's look back to how it was imported, keeping its crop and its conversion; ⇧⌘R does the same.
  • Select the Whole Roll (⌘A) shows the roll's photos together; pressed again, the photo you came from is alone again.
  • Every key here is also in a menu.

FEEDBACKS, Settings and EXPORT

FEEDBACKS sends a bug report or an idea. The gear opens Settings (⌘,). At the edge, EXPORT, counted on a selection, opens the export screen; in the gallery the same key reads ADD FOLDER…, to star a folder of scans and open it.

  • With several photos picked, EXP. CONTACT SHEET stands beside EXPORT, to write them on one sheet.
  • When a new version is ready, an UPDATE TO key, naming it, takes the export key's place.
  • Export stays on ⌘E wherever you are.

The canvas

Around the photo, in the margin, covering no pixel of it.

  • −+

    Closer, or the whole photo. − and + beside the scale, ⌘− and ⌘+; a double click toggles 100%.

  • Nothing over your photo. The working space, the zoom and the column keys sit in the margin, covering none of it.

Working space

Above the photo, the working space and what it is for: Display P3 · phones & screens at first, sRGB · web & social, Adobe RGB · print, ProPhoto · wide print, or a paper's profile. A click opens the chooser, the same field as the export's Space.

  • The canvas is always drawn as the export will write it: what you edit is what you get.
  • On a paper's profile, the chooser adds Show only color variation (not recommended).

Zoom

At the top right of the canvas: the scale, then − (⌘−) and + (⌘+). A double click on the photo toggles 100%, a pinch zooms, a drag moves it. The scale reads · preview while a reduced copy shows.

  • In the gallery the same two shortcuts are Smaller Thumbnails and Larger Thumbnails.
  • In Settings, Keep the zoom from one photo to the next opens each photo at the last one's zoom, to compare grain across a roll.

What this screen cannot show

Show What This Screen Cannot Show (⇧⌘Y), in the View menu, lays stripes over the colours of your photo this screen cannot show: what a wider screen, or a recent phone, shows stronger.

  • The same switch is in Settings, and the app remembers it for the next launch.

Arrows, Space and Return

In the editor, ← and ↑ open the frame before, → and ↓ the frame after; Space returns to the gallery. Return applies a crop or a measuring window being drawn.

  • In De-dust, Space held is the hand that moves the photo.
  • On the Scanner face, Esc goes back to Pro, and Return does nothing.

Hide the Library and the Panel

Hide the Library (⌥⌘[) and Hide the Panel (⌥⌘]) put a column away so your photo takes the width. Their two keys sit in the canvas margin, on their column's side, and read Show once the column is hidden.

  • A hidden column slides back over the photo when the pointer reaches its edge, and away again when the pointer leaves it.

Every key of the bar and the canvas

Each key names its gesture in its tooltip, and a key whose name changes says what the next press does. A tint says what kind of gesture a key is: orange for the whole roll and the contact sheet, the accent for export, a warning tint for a reset or the ONI Trash.

Left

The mode key, absent on the export screen.

KeyFaceTintNotes
EDITOR / GALLERYwordsgreyNames the side it goes to, ⌘G; greyed in the gallery until there is a photo to open. In Prepare the Roll it reads GALLERY and leaves the roll, except while it measures.

Centre

Beside a photo, the editor's keys, each family on its own plate. Short of room, a word key gives way to its icon.

KeyFaceTintNotes
Crop and Straightenan icongreyOpens the Crop tab, ⌘K.
Comparean icongreyYour photo against its imported state, dust still healed: Compare Before/After in the View menu.
Select the Whole Rollan iconorange⌘A: the whole roll selected and shown together; pressed again, the photo it came from alone again.
Undo / Redoan icongrey⌘Z and ⇧⌘Z; the tooltip names the gesture.
Pro / Scannera switchgreyPro's sliders or a lab scanner's keypad; each face keeps its own finish.
Copy settingsan icongrey⇧⌘C.
Paste settingsan icongrey⇧⌘V, counted on a selection: Paste settings to 12 photos.
PASTE TO ROLLwordsgreyPaste to the Roll: every photo of the open photo's roll.
De-dust / Leave De-dustan icongreyEnters De-dust and leaves it; lit while it is on.
RESET SCANwordscautionReset to Imported State, ⇧⌘R.

Centre in Prepare the Roll

While a roll is prepared, one key per step on one plate, the current one lit, a lamp on each step behind it.

KeyFaceTintNotes
FILMwordsgreySelect the Film Type.
FLAT-FIELDwordsgreySet Up the Flat-Field.
BASEwordsgreyPick the Film Base.
FLAGSwordsgreyFlag the Frames Left Out.
WINDOWwordsgreyPlace the Measuring Frame.

Right

FEEDBACKS and Settings, then the export key, which Prepare the Roll leaves out.

KeyFaceTintNotes
FEEDBACKSwordsgreyReport a Bug / Give Feedback.
Settingsan icongreyThe Settings sheet, also Settings… in the File menu, ⌘,.
EXP. CONTACT SHEETwordsorangeOnly with several photos picked: the export screen with the photos on one contact sheet.
EXPORT / ADD FOLDER…wordsaccentEXPORT beside a photo, counted on a selection: EXPORT 12 PHOTOS; ADD FOLDER… in the gallery, export staying on ⌘E.
UPDATE TO …wordsupdateIn the export key's place when a new version is ready; it names the version, and reads UPDATING once clicked.

Canvas

In the margin round the photo, covering none of it.

KeyFaceTintNotes
Hide the Library / Show the Libraryan icongreyTop left, ⌥⌘[.
Working SpacewordsgreyTop centre: the space and its use, Display P3 · phones & screens at first; a click opens the chooser.
Zoom out / Zoom inan icongreyTop right, after the scale: − and +, ⌘− and ⌘+.
Hide the Panel / Show the Panelan icongreyTop right, last, ⌥⌘].

Every menu item

The bar never holds a gesture the menus cannot reach. Shortcuts are written as on a Mac; on Windows, Ctrl stands for ⌘. A title that counts, such as Paste Settings to 12 Photos, counts the photos it is about to act on: the selection if there is one, else the open photo.

The rest of the manual.

Every surface of the app, in the order of your work. From the folder of scans to the exported file.

Convert your first roll tonight.

Add your folder, prepare the roll once, export. Free, and nothing else to install.

How to convert a film negative, step by step

Mac
macOS 13 or later on Apple Silicon or Intel
Windows
Windows 10 or 11 (64-bit)

Blocked at first launch?

A snowy Paris street at night, a lit cafe under arcades, tyre tracks in the snow.

Snow night. Kodak Gold, converted in Open Negative Initiative.